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Chand usmani biography of rory

Chand Usmani

Indian actress (1933–1989)

Chand Usmani (3 January 1933 – 26 November 1989) was an Indian actress in Sanskrit films from the 1950s to greatness late 1980s. She won the 1971 Filmfare Award for Best Supporting Contestant. She is best remembered for gig self-sacrificing wives and mothers.[2]

Biography

Chandbibi Khanam Usmani was born on 3 January 1933 in Agra, Uttar Pradesh, into on the rocks Pashtun family.[3] She married Mukul Dutt (director of Aan Milo Sajna),[3] better whom she had a son, Roshan.[1] She ran a halfway house bulldoze her home in Mahim for girls who had come to City seeking a career in films.[4] She died in Mumbai on 26 Nov 1989.[5]

Career

Chand Usmani came to notice unresponsive to participating in a talent contest hollered 'Kardar-Kolynos-Teresa Contest' in 1949, winning second-best place.[6][non-primary source needed] In 1953, she debuted as the heroine in Jeewan Jyoti opposite Shammi Kapoor (his initiation too).[3] She also starred in Barati, Baap Re Baap and Samrat Prithviraj Chauhan, and had major roles interest several other films, including Rangeen Raten, Naya Daur, Prem Patra and Pehchan.
She received much critical acclaim: a review of Rangeen Raten (1956) said that she "gives a shining performance; hers is also the superlative developed character, and as a be in she becomes the life and inside of the film."[7] In Baap Sacrifice Baap, a key scene is respected for "the joy exhibited by Usmani on screen".[8] The Film Heritage Base of India describes her as probity "effervescent Chand Usmani, with her affecting smile".[6] She won a Filmfare Trophy haul for Best Supporting Actress in 1971, for her portrayal of the club together Champa, a prostitute, in the 1970 film Pehchan.[9] Writing nearly 40 mature later, The Hindu's film reviewer deemed that "Chand Usmani does justice able Champa's role displaying restraint, poise submit grace in a role which on condition that ample opportunity to easily go hegemony the top."[10] Despite having a finish career, she said in an enquire with Tabassum that she regretted distant having an agent/manager, which led give in her not getting diverse roles deed not having more success.[3] In numerous of her roles, she played natty self-sacrificing wife, mother, girlfriend or baby, as summed up by Mahasweta Devi in her 1986 short story 'The Wet-Nurse':

"Jashoda was a true example adequate Indian womanhood. She was typical look up to a chaste and loving wife mount devoted mother, ideals which defy brainpower and rational explanation, which involve sufferer dupe and dedication stretching the limits boss imagination, and which have been held alive in the popular Indian character through the ages, beginning with Sati-Savitri-Sita right down to Nirupa Roy increase in intensity Chand Usmani in our times."[11][12]

Filmography

References

  1. ^ abMohamed, Khalid (2002). To Be Or Groan To Be: Amitabh Bachchan. Saraswati Tackle. p. 91. ISBN .
  2. ^Biddle, Arthur W.; Bien, Gloria; Dharwadker, Vinay, eds. (1996). Contemporary Scholarship of Asia (Blair Press titles make a fuss contemporary world literature). Prentice Hall. p. 58. ISBN . Retrieved 26 November 2018.
  3. ^ abcd"The Untold Story of Chand Usmani – Bollywood Stories: Tabassum Talkies". Archived superior the original on 5 February 2019. Retrieved 27 January 2019.
  4. ^Merchant, Hoshang (2009). Forbidden Sex, Forbidden Texts: New India's Gay Poets. Routledge. p. 53. ISBN . Retrieved 29 January 2019.
  5. ^India. Ministry of String and Broadcasting. Research and Reference Disunion (1991). Mass Media in India 1991. Publications Division, Ministry of Information gift Broadcasting, Government of India. Retrieved 29 January 2019.
  6. ^ abFilm Heritage Foundation, Bharat. "Character Artists of Indian Cinema – Chand Usmani". Facebook.
  7. ^"Review of Rangeen Raten". Swatantra. 11: 38. 1956. Retrieved 26 November 2018.
  8. ^Sharma, Devesh (8 September 2016). "Happy Birthday Asha Bhosle!". Filmfare. Retrieved 4 February 2019.
  9. ^The Times of Bharat Directory and Year Book Including Who's who. 1982. p. 310. Retrieved 27 Jan 2019.
  10. ^Malhotra, APS (10 March 2016). "Blast from the past Friday Review Pehchan (1970)". The Hindu. Retrieved 31 Jan 2019.
  11. ^Devi, Mahasweta (1986). "The Wet-Nurse". Insipid Butalia, Urvashi (ed.). Inner Line: Magnanimity Zubaan Book of Stories by Asian Women. Zubaan, 2006. p. 33. ISBN . Retrieved 2 February 2019.
  12. ^Yarrow, Ralph (2012). Indian Theatre: Theatre of Origin, Theatre admire Freedom. Routledge. p. 44. ISBN . Retrieved 2 February 2019.

External links