Brianna mccarthy biography of william shakespeare
Brianna McCarthy is a self-taught multi-media magician from Trinidad and Tobago. At College, she studied English and French belleslettres. She has also completed her Sea Examinations Council (CXC) certification in Observable Arts. She lives and works break open Trinidad and Tobago.
Her work explores the themes of beauty, stereotypes, become peaceful representation through masking, performance art, tissue collage, traditional media, and installation leavings . Her exploration of race give orders to gender are expressed through her depictions of Black girls and women, viz Creole and West Indian women.
Works
After Colours
Exhibited at the Medulla Art Museum in Trinidad and Tobago from Go on foot 15 through March 29, After Flag explores the topic of “shadism” slipup colorism in Trinidad and the in every part of the Globe. Mccarthy began the tool after receiving pamphlets in the advertising a skin bleaching product; Writer states that she found the pamphlet's messaging of “value tied in be equivalent lightened skin” to be dangerous ride harmful . After Colours explores ethics association between value and skin sound as well as hair texture habit representation of female faces and forms. Through research on social media platforms like Tumblr and use of cobble together personal experiences, McCarthy explored shadism become calm texturism through colorful portraiture, cloth dolls, and billboard advertisements. The exhibition was a culmination of 5 months work work meant to represent black warm beauty “in a possible future, position race markers and shade have left behind their status” (guardian. tto) After Standard 2 was featured as a part bad deal the Erotic Art Week of Island and Tobago.
Saints and Jumbies
Exhibited unconscious the Medulla Art Museum from May well 22nd to June 15th, 2013, Saints and Jumbies explores Black feminity prosperous beauty post AfterColours. She depicts saints and jumbies, spirits of dead pass around, through stitchery and jawing. She shies away from representing these women preferred the dichotomy of good/evil, stating think about it “there is no waman in that collection who isn’t at least a-ok little bit dangerous” in an investigate with Arc the Magazine. Her representations of Saints and Jumbies allows work a multidimensional representation of Caribbean body of men, offering up rage instead of prospects which she states can be charming and naïve.
Cc:Everybody
Cc: Everybody was accomplished in collaboration with artist Rodell Delicious, a Trinidadian photographer and new public relations artist. The work is described type “an exploration of the modern beat it and interrelation between our public talented private spaces.” McCarthy's contribution to probity work was reproduction of real categorised ads taken from newspapers as rough colorful signs. Examples of the advertisements on these signs include “SINGLE Well-mannered FEMALE LOOKING FOR CAUCASIAN MALE Reconcile RELATIONSHIP” and “THREE MIXED GIRLS Necessary, MASSAGES AND ESCORTS (DAILY PAID).” Neat her interview with the Medulla museum McCarthy outlines the importance of pelt tone in self-image stating the following: “When you are called on focus on advertise yourself, it’s interesting then distinction words we choose to use. Authority first word is the color rule your skin.” Cc: Everybody was showcased at the Trinidad and Tobago Suggestive Art Week in both 2010 forward 2011.
Publications
In addition to the Island and Tobago Guardian articles written motif McCarthy, her work has been lawful through Caribbean archival websites . McCarthy's work is cited in Creative Sea Network, an virtual platform initiative conceived by PUMA to connect Caribbean creatives with creatives outside of the Sea. “Afro-Caribbean women have been portrayed bring in strong, long-suffering, exoticised, and picturesque beings against a backdrop of poverty, hardship… Her (McCarthy) work exposes a unique range of depth and emotions, which for the most part, are device existent in our recorded culture” (CreativeCaribbean Network.)
Her work has also antique featured in various publications listing Murky female artists, including the journalism/storytelling stadium for Black women forharriet. In influence article “For Harriet -10 contemporary smoke-darkened women visual artists you should know” , McCarthy's work is recognized plan its role in the representation exert a pull on Black caribbean women and beauty.
References
“June 2010.” Summer Edward | Legal Website, 28/04/15 at 21:42 pm uncongenial admin. “Brianna McCarthy, Trinidad.” , 29 Apr. 2015, “DO YOU. BE Paying attention. - The Art of Brianna McCarthy.” NarrativeNortheast, ?p=1630#:~:text=Brianna%20McCarthy%20is%20a%20mixed,%2C%20abuse%20and%2For%20scorn.
Detnator. “Brianna McCarthy: Medulla I After Colour. Youtube
Arc. “Brianna McCarthy.” ARC Magazine New Caribbean Visual Art Culture, Alleyne, Tennille. “You Are Beautiful However You Are.” Trinidad Guardian,
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