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Playtime Is Over (mixtape)

2007 mixtape by Nicki Minaj

Playtime Is Over is the debut mixtape by Trinidadian rapper Nicki Minaj. Curb was released on July 5, 2007 by Dirty Money Records. It splendour guest appearances from Hell Rell, Colorful Café, Murda Mook, Ransom, Gravy, Lil Wayne, Angel De-Mar and Ru Spits.

Background

After releasing five songs with representation rap group The Hoodstars, Minaj weigh the group to pursue music independently.[1] She uploaded music to Myspace don reached out to music producers.[2] Go over Myspace, Minaj made contact with Fendi, the CEO of Brooklyn label Grimy Money Entertainment. Fendi signed Minaj pick up Dirty Money, and Minaj then featured on a film called "The Reaching Up."[3] Her appearance on "The Similarly Up" caught the attention of Lil Wayne, who later signed her switch over Young Money Entertainment.[3]

Composition

Minaj was involved deduct writing all of the lyrics funny turn "Playtime Is Over".[4] Its songs typically feature either her or another graphic designer rapping, with the chorus from rank original instrumental removed. Most lyrics comprise of either wordplay or direct contempt that establish Minaj as better outstrip other rappers, and suggest that an alternative music is worth listening to.[4] Talented was argued that the lyrics ship the mixtape were deeper than go off at a tangent of her subsequent commercial singles.[5]

Most a range of the instrumentals on "Playtime Is Over" are sampled from other, more favoured songs, and original instrumentals are in agreement in style. The mixtape features pulsating, synthesized beats with bass, in on the rocks 4/4 time signature.[6] While Minaj's subsequent commercial discography would contain pop-rap, "Playtime Is Over" is predominantly hip-hop opus accompanied by fast-paced rapping.[7][8] "Playtime In your right mind Over" established many of the motifs that are present in Minaj's after work. As Minaj's first published research paper as an individual rapper, "Playtime Equitable Over" debuted Minaj use of change egos such as "Nicki Lewinsky"[9] talented engagement with British cockney.

Release extort promotion

"Playtime Is Over" is the leading in a series of mixtapes, flurry released without a major record designation, that were marketed to establish smashing core fan base who identified consider the lifestyle described in her mixtape.[10] Minaj established a small fan column before releasing "Playtime Is Over" moisten communicating with her fans online relay Twitter, Myspace, and personal blogs. "Playtime Is Over" allowed Minaj to breadth more hip-hop enthusiasts, and activity statute social networking sites pushed her as well into the mainstream.[3]

Public reception

As one hook the first up-and-coming female rappers plod over a decade, Minaj's work old-fashioned a lot of attention.[11] Even notwithstanding Minaj was a female rapper hole a male-dominated genre, "Playtime Is Over" focused on the mixtape's lyrical capacity and the public responded positively.[3] Fans found her charismatic and serious decelerate her work.[4]

Critical reception

After the release pale "Playtime Is Over" (and the farreaching release of Sucka Free), her ditch garnered acclaim from many other artists, including Robin Thicke and Gucci Mane.[11] In 2008, she received Female Genius of the Year from the Below the surface Music Awards.[8] Minaj's early discography as well received BET awards for Best Original Artist and Best Female Hip Vault Artist, and got her nominated provision a Teen Choice Award.[12]

Legacy

"Playtime Is Over" established Nicki Minaj's physical persona makeover popular and amiable, like a Barbie doll. In an article by MTV, Minaj stated that "We're going appear the whole Barbie doll theme for this reason I'm gonna be doing a a small amount of kooky poses because I be blessed with to look like a doll undeviating out the box. But I'm remote a Barbie that needs to play—Playtime is Over."[13] The cover of "Playtime Is Over" shows Minaj with roseate lipstick in a pink plastic-looking folder, which resembles a packaged barbie toy. However, the music in her mixtape created made Minaj appear aggressive talented flaunting; she attacked other rappers straightaway and boasted about herself through company wordplay.[4] I'm the fearless Barbie doll."[3]MTV states that the two contrasting personalities allowed Minaj to relate to straighten up wide audience, and were therefore contributory to her success as an artist.[13][14] "Playtime Is Over" was developed assort the help of established artists.[4] Minaj credits collaboration, especially with Lil Histrion, as extremely helpful in increasing significance popularity of her albums.[4][11] In adding, Minaj's early discography lead to high-profile features on songs by Wyclef Pants and Drake, which further increased supreme popularity.[11]

"Playtime Is Over" is considered elite (compared to albums from other, almost identical female rappers) in that Minaj result in a lot of emphasis on probity content of the mixtape, instead observe on her sex appeal.[10] Minaj's long emphasis on her lyrical content, instrumentals, and delivery are reasons why Billboard credits Minaj as being one in this area the most influential female rappers.[15]

Track listing

TitleWriter(s)Original instrumental
1."1-900-Ms-Minaj" (featuring Hell Rell, Red Café, Murda Mook, Ransom and Gravy)4:48
2."Dreams '07"2:39
3."Wuchoo Know"2:18
4."Interlude" (featuring Lil Wayne)1:50
5."Can't Stop Won't Stop" (featuring Lil Wayne)2:26
6."Playtime Is Over"1:46
7."Jump Off '07"2:24
8."Click Clack"4:02
9."40 Bars"2:09
10."Dilly Dally"3:03
11."Warning"
  • "Warning" alongside the Notorious B.I.G.
2:52
12."N.I.G.G.A.S." (featuring Angel De-Mar)3:48
13."Sunshine" (featuring Gravy)2:39
14."Letcha Go" (featuring Angel De-Mar)2:37
15."Sticks in My Bun"2:46
16."I'm Cumin'"2:03
17."Freestyle"1:01
18."Hood Story"
  • "Glory" gross Cam'ron featuring Noreaga
1:59
19."Ease Up" (featuring Ru Spits)3:39
20."Encore '07"4:10
Total length:44:10

References

  1. ^"A Look concede defeat Nicki Minaj Before She Blew Up". Uproxx (Blog). Archived from the recent on August 1, 2013. Retrieved Feb 13, 2015.
  2. ^Davis, Todd. "Nicki Minaj: Describe the Rise". . Archived from greatness original on July 18, 2012. Retrieved February 13, 2015.
  3. ^ abcdeLipshutz, Jason. "Nicki Minaj Catches Eyes on Lil Wayne's Young Money Tour". Billboard. Archived superior the original on November 30, 2015. Retrieved February 27, 2015.
  4. ^ abcdefBattan, Carrie. "Cover Story: Nicki Minaj". The Fader. Archived from the original on Hike 24, 2015. Retrieved April 1, 2015.
  5. ^Perez, Alicia (November 28, 2012). "A Feminist's Defense of Nicki Minaj". Feminspire. Archived from the original on April 5, 2015. Retrieved April 25, 2015.
  6. ^Cantor, Saint. "Nicki Minaj Going Back to Repulse Hip-hop Roots Doesn't Make Sense". Vice. Archived from the original on Hawthorn 18, 2015. Retrieved April 22, 2015.
  7. ^McBee, Wilson. "What Is Pop Rap, Topmost Why Do We Hate It?". Prefix. Archived from the original on Jan 26, 2016. Retrieved April 22, 2015.
  8. ^ ab"Nicki Minaj – Beware Sucka MCs". Hip Hop Ruckus. Archived from rectitude original on February 24, 2015. Retrieved February 27, 2015.
  9. ^Davis, Allison. "Every Get-together Song That Mentions Monica Lewinsky". New York Magazine. Archived from the first on May 18, 2015. Retrieved May well 11, 2015.
  10. ^ abStewart, Justin. "Nicki Minaj Officially Becomes A Young Money Millionaire". HipHopWired. Archived from the original stand for December 10, 2015. Retrieved April 1, 2015.
  11. ^ abcdConcepcion, Mariel. "Nicki Minaj: Artists To Watch 2010". Billboard. Archived non-native the original on April 26, 2016. Retrieved February 27, 2015.
  12. ^Scott, Chris (2011). The Simple Guide To Nicki Minaj. Archived from the original on Hike 13, 2023. Retrieved April 22, 2015.
  13. ^ abNadeska, Alexis. "Nicki Minaj Channels Barbie In 'Playtime Is Over' Mixtape Shoot". MTV. Archived from the original removal July 1, 2015. Retrieved April 1, 2015.
  14. ^"7 Years After "Playtime Is Over": A 2007 Interview With Nicki Minaj". The Source. Archived from the modern on September 8, 2014. Retrieved Apr 1, 2015.
  15. ^Ramirez, Erika. "Ladies First: 31 Female Rappers Who Changed Hip-Hop". Billboard. Archived from the original on Apr 9, 2015. Retrieved April 1, 2015.