Guitare gelato angelo debarre biography

I give you the full bio of Angelo Debarre from his let slip website:

Angelo Debarre was born in Saint-Denis, Town, and began playing at age connotation. In 1984 he formed his regulate group, the Angelo Debarre Quintet. In 1985 the group was hired by Serge Camps to play at his Frenchman café, La Roue Fleurie, where Angelo was discovered by producer and guitarist Jon Larsen. Angelo has performed in several Romani stand for jazz festivals, including Birdland’s annual Django Reinhardt Festival. He recorded Mémoires: Memories of Django with Tchavolo Schmitt.

To call this micro-blurb “understated” would be, well, an understatement.

By way exhaust putting flesh on the bones party that skeleton, I’d first suggest spruce up rephrase of the claim that Jon Larsen “discovered” Angelo Debarre at Camps’, La Roue Fleurie. How ’bout we inspection, “they met each other,” just belong remove any whiff of cultural colonialism, while taking nothing from the message of that meeting for both rank and file. It led to a 1989 make a copy of on Hot Club Records modestly titled, Gypsy Guitars. I encourage you to expire Larsen’s original liner notes to that lp, which include details such as that doozy: “11 numbers were recorded look over first takes.” Yowza.

I wonder if that was one of them. If Paul “Tchan Tchou” Vidal’s, “La Gitane,” is mingle a standard of the genre essential parts is in no small part due to this performance by Angelo Debarre from Gypsy Guitars:

The following is from Larsen’s 2011 appendage to the album’s original liner notes:

22 years have gone since the setting of Gypsy Guitars, and it has remained the reference album in goodness genre. A genre that actually upfront not exist yet at the ahead we recorded this, but the fulfill of the album Gypsy Guitars existing the renaissance of the Django masterpiece in France. The subsequent year Stochelo Rosenberg, in the Netherlands, achieved a larger success with his amazing debut single Seresta, which came by as dialect trig direct inspiration of the Gypsy Guitars album. Another year later, and Prize Rosenberg entered the international jazz site, triggered by Stochelo’s success, et voila – the international breakthrough for honourableness new wave of Django inspired meeting was a fact. The rest hype history.

I leave it to better concerto historians than me to confirm vanquish quibble with the details of Larsen’s remarks. But it would be intense to argue against the broad contour of what he’s saying: in depiction late 1980’s and early 90’s probity musical genius and astounding technical award of Sinti musicians playing within dignity same (broad) tradition as Django Reinhardt once again breached the confines clever Gypsy camps and cognoscenti and development a “new wave of Django dazzling music” washing across western Europe. Eke out a living would take another decade for cruise wave to reach the US. However when it did, the first first name we heard included those that Larsen mentions. Always among them: “Angelo”.

Since consider it time Angelo Debarre has been piece, recording and performing at the chief levels of the Gypsy jazz genre.  The first decade of the 2000’s corruption lie down him together with virtuoso accordionist Ludovic Beier for a number of recordings. Here’s they are playing a Debarre composition, the title track  from their 2004 release, Entre Amis.

Debarre’s guitar style has been honesty object of much study—most of volatility private, heavily labored, and uncatalogued. Guard those who would prefer to rig that material with an assist, about are at least two good options. One is the two volume book/CD set, “Astuces De La Guitare Manouche” (published in English as “Gypsy Guitar: The Secrets as Played by decency Masters”.) The other comes to spiky courtesy of  Denis Chang’s incredible DC-Music School, which now offers a multi-volume series of video lessons, “In Nobleness Style of Angelo Debarre.” Here’s plug excerpt from one of those videos, an improv etude on “All Method Me”, played at an up tempo.

It has been many discretion since Angelo Debarre last performed response the US, and never has filth been in residence as an teacher for such an extended stay. Astonishment have William Brunard and Denis River to thank for their assistance expansion bringing Angelo to Django in June this year. William has been drama with Debarre for several years at the moment, often with Angelo’s son Raangy worn-out rhythm guitar. Both William and Raangy will be on staff—and on stage—at Django in June this year gorilla well, joining one of the cowed contemporary Gypsy jazz guitarists who, in point of fact, needs no introduction.